I live in the non-linear, oscillating, within the in-between space.

In the epicenter of this liminal space,

ethnographic histories,

kinesthetic sensations,

and sounds

charge my desires to experiment with forms of interdisciplinary movement performance and arts-based community research.

I am interested in worlds, known and unknown,

with love,

we conjure in the venture of dark matter,

kinesthetic empathy with ecology,

and mythical wondering.

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My work offers space and time for process, and honoring the past, present and future self; conversation with lineage and story/re-tellings, transcribed within the body, transmuted in daily living. 

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I investigate through varying notions of positive obsession, revolving in re-memory and mythological making

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 my pleasure in embodied practices/experiences.

I give myself to live(ing) ritual, with collaborative creativity,

an evolving development of process in Black, queer, feminist environmental methodologies that explore play as critical research.

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The process methods shift with drawing/patterning, film, and photography, mapping/tracing home (the body) in relationship to land, nature, community and those who draw from it and fight for its sustainability.